Alterations

I have been thinking over this last month about listening. It goes without saying that if we all want to have greater connection to the world around us, we have to be attentive listeners. I have previously blogged about the things you can do with your body to help you listen more comfortably. I am aware that we all understand that we should be better listeners, but its easy to forget about that when Facebook prompts us with ‘What’s on your mind?’ or Twitter’s decision to double the number of characters late last year.  We are told to tell all,  but are we listening?

Chimamanda Ngozi Adichie talks about the dangers of a single story in her powerful TED talk. We have to challenge that one story we know about a certain person or country.   This  single story limits us and stops us listening. At the extreme, this is what the far-right have always used to justify actions of hate and discrimination. However, at the milder end, we are all missing out on opening our minds to the people and possibilities that surround us.

I am currently reading Keith Johnstone’s ‘Improv for Storytellers’. He writes that instead of telling his students to be ‘Good Listeners’, he encourages them to ‘Be altered by what was said.’ I can’t think of a more apt way for explaining the effect that listening should have on us. So whether we are trying to tune into a conversation in a board room, our children telling us about their day or trying to listen to ourselves with greater integrity, all these moments could lead to alterations about the way we perceive the world. It’s time to let our minds be changed, influenced, informed or moved by what we hear in the world around us.

Love Letters – #4 Forgotten Storytellers

Dear Leonora Blanche Lang or Nora,

It is unsurprising that your name is obscure to most of the world. Your husband, Andrew Lang, rings bells loudly in proclamation of the great British collectors of folk tales in his Rainbow Fairy collection.

To be fair to Andrew, he did credit you Nora as writer and contributor along the way. In the preface to the last of the collection, The Lilac Fairy Book (1910) he writes:

‘The fairy books have been almost wholly the work of Mrs. Lang, who has translated and adapted them from the French, German, Portuguese, Italian, Spanish, Catalan, and other languages.’

So he did try to honour you, Nora. He also credited 17 other female contributors to the Rainbow Fairy Collection. The world has not unfortunately remembered this. You name should sit along the Grimm Brothers, Charles Perrault and Hans Christian Anderson, but this is sadly not the case.

It’s interesting that nearly all of the collectors of tales had women contributing to the final books but there names are often lost. I want to say, Nora, that life is now better and women’s voices are now represented equally across society, but this is not the case. It still happens where men are credited for the ideas and words of women. We have come along way since you were compiling the Rainbow Fairy collection, but the journey is ongoing with many twists and turns. Your work has gone on to inspire many fantastic works of fiction. Most notably, J. R. R. Tolkien:

“In English none probably rival either the popularity, or the inclusiveness, or the general merits of the twelve books of twelve colours which we owe to Andrew Lang and to his wife.”— J. R. R. Tolkien, ‘On Fairy Stories’

As someone who is filling their life with these kind of tales, I am grateful for the work that you did.

Love,

Felicity

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Why we should all explore traditional tales….

Little Red Riding is a shocking tale. It’s more than the simplified children’s tale of doing what your told (Sticking to the path) and not talking to strangers (the Big, Bad Wolf). We think of all of the Grimm tales and their counterparts as being for children.

 

The original name of the Collection was Kinder- und Hausmärchen (Children and Household Tales.) We as modern audience focus on the side of the tales that are for children, but what about the ‘Household’ part of the collection?

When I get asked, as a Storyteller, what content I would perform for adults, I see a lot of nose wrinkling when I say traditional tales like you would find within the collections of Grimm Brother’s, Charles Perrault, Giambattista Basile.

Many of these collectors and writers including Hans Christians Anderson, had not purposely written or recorded their work for audiences made up solely of children. If you read the Juniper Tree from Brother’s Grimm, you are faced with a tale of murder, deceit, cannibalism and children being horribly manipulated alongside a magic tree, a bartering bird, and a little girl. These traditional tales can be (and should be) adjusted to the audience that are listening to them. Often though the tales are heavily diluted into sweet bedtime tales and a patronising delivery of “And the moral of the story is….”

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Marleenken, from The Box collection based on The Juniper Tree

Storytelling is a gateway into literacy (more on this is another blog), if we cheapen the tales in this way, it is no wonder no one can be bothered to sit down and orally share tales. We all love telling anecdotes, we are all storytellers, so why not take these tales and use them as a tool to unpick our modern life.

Cinderella is a tale of slavery. Worldwide, it’s estimated that there are 4.5 million victims of sex trafficking. Beauty and the Beast a tale of imprisoning a young woman. The Beast can be found in the likes of Ariel Castro and Josef Fritzl. The Elves and the shoemaker tells a story if helping those most in need. We need these stories to help us connect into the world we live in.

These stories could be serving as much now, as when they were originally bought into the public consciousness, as they have throughout the whole history of humankind.

 

 

Love Letters – #2 Joyful Leaving

Dear Frida,

You were brave.

And I loved that.

You gave us all you pain

Your doubt

And your uncertainty

In sharing your complex relationship

You had with yourself

And the world around you.

You showed us

That identity is a movable feast.

In this you were not only ahead of your time,

But my time too.

 

I hate boxes.

I hate labels.

I hate the notion

That we are one thing

Or the other.

You showed us all

That we could be more

Than what the world

Would shape for us.

We could be more

Then what we could

Shape for ourselves.

 

You lived fiercely

Overcoming pain

And sharing it with us

In vivid paintings.

In your work,

I see that as Artists

We have to be brave

In sharing ourselves

With the world.

We can not simply

Put ink to paper

Without our heart

Pulsating through our hand

And onto the page.

 

You last diary entry

‘I hope the exit is joyful

And I hope never to return.’

Sings sweetly of a life lived to the full.

 

All my love,

Felicity.
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Love Letters – #1 Still Marching

 

Dear Suffragettes

 

Here I am writing

The first of my of Love Letters.

I plan to write a 100.

1 letter for every year

Since the change you

So fiercely fought for began.

1 letter to all 100 women who I love.

 

You stand out

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Deeds Not Words

In a crowd of women and men

Who changed the course of history.

You saw that quiet negotiation

Was not working

And you drove social change

With your militant approach.

I am in no doubt

Had you been here

100 years later

Trump would have described you

As a ‘Nasty Woman’.

 

And you were.

You were unsettling

You discomfort drove others to be uncomfortable.

You were loud and divisive

You were more the floppy hats

We see now in grainy black and white

You were cotton and earth

You were long hours

You were sexually, physically

And emotionally attacked

You were without things

I now so readily take for granted

Rights over my body

Rights over my property

Rights over my children.

 

You were dismissed as temperamental

You were dismissed as difficult

And I am so thankful

That inspite of this

You ploughed on.

You clogged up the prison service

With your revolution.

When they had enough of the force feeding

When they had realised that prison

did not hold sway over the power

Of your mighty hearts

They took their violence onto the streets

Assaulted in broad daylight at the middle of the road.

 

How can I honour you?

How can I carry on your fight?

It’s more than voting and petitions.

It’s more than banner waving.

It’s more than marching.

It’s more than online campaigning

It’s living my life to the fullest

Not being held back

By the views of others

The laws support me

Even if some people do not.

I will stand up for fairness

And I will stand up for others

Whose representation is missing

I will hold space, create space

For others.

I will support, share, hold hands

Walk alongside those

Who are not granted the platform

That I do have.

 

I will not run away

I will not be apathetic

Or indifferent.

I will not be silent.
Love
Felicity

Once upon a time lasts forever

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I stumbled across the above quote, and it resonates incredibly powerfully. Early on this summer I completed a course called The Performer’s Playground with ClownLab. It was a 12 week exploration of playfulness. We had a lot of conversation about finding the joy or the fun in something and enjoying being beautiful even if we were playing something ugly. How do we create fun or channel playfulness?

On reflection, I think the things that inhibit me are the parameters that I  have either set myself or the the ones that I have allowed others to set for me – ‘the table of do’s and don’ts‘ as Pullman calls it. There are a list of things I can do and a list of things I can’t do. I wrote a while back about Growth Mindset, the idea that through a shift in personal attitude can alter our potential. How do we know that our personal attitude needs to shift? How do we believe that our potential is unlimited?

Neil Gaiman wrote in Coraline “Fairy tales are more then true; Not because they tell us the Dragons exist, but because they tell us that Dragons can be beaten”.

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illustrations by F. D. Bedford  J.M. Barrie’s Peter & Wendy

Stories allow us to see that we can do, or be anything. Some of our favourite characters in our most loved tales and stories have the hardest start; they are orphans. Harry Potter to Cinderella; Superman to Peter Pan; Mowgli to Sophie in the BFG. Their world has been disrupted in a way that no one would want for a child.  Yet, these characters go on amazing adventures, and overcome huge obstacles and show a resourcefulness and resilience to find their way through. Peter Pan has no ‘list of right or wrongs’ just a love of play and make believe. His game playing allows him survive and outwit his enemies.

The art of oral storytelling transcends age, ethnicity, education, borders and gender whilst also recording and reflecting our difference in those things. This kind of storytelling is a shared act between teller and listener. Jane B. Wilson tells us in her book The Story Experience, “Those who tell tales are both speakers and listeners. They have heard and remember”.

We are all storytellers and we are all listeners, if we allow ourselves the possibility to listen. We can all believe that we can do more, be more then we think we are. If we see others have defeated the bad guys, maybe we can too.

“The listener is caught and whirled into a talk, living for a single moment in the good, the great, the naughty, the lost. The tellers voice awakes dreams and spins stuff for thought; incites to contemplation.”

The Story Experience, Jane B. Wilson

 

 

 

Little Red Riding Hood – Wolf Mask

I have been working with Z-Arts and Crumpsall Lane Primary School in Manchester, creating story telling pieces for the schools reception class. Its been really wonderful and tomorrow we go into our third week of the project based on the collections of Brother’s Grimm, and this week we are looking at Little Red Riding Hood or as Bro

Little Red Riding Hood

Little Red by Felicity Goodman 

ther’s Grimm called Little Red Cap.

This story has been re told and re told and re told, and I have a strong suspicion that the children will be very familiar with it. I think that each week they have bought there own colour and magic to the stories we have looked at (Musicians of Bremen and Hansel and Gretel.) That is why working with these traditional stories is such a gift because they can be re told in so many different ways. As a story teller, I love the immediacy of the retelling. The audience being very active in shaping how the story looks and feels.  These stories are so beautifully simple but it is quite easy to overlook them.

I also provide lesson plans in arts crafts for further exploration of these stories in the class in the week that follows. I’d thought I’d pass on one of the craft exercises in this weeks lesson plan. You can never have too many resources available!

 

Wolf Mask

Wolf Mask Template

Template for Wolf Mask

First things first, copy the above template for each of the components in the mask and cut them out. I made the mistake of putting it all together before I coloured it in, which made it much harder to build, the above image is on an A4 piece of paper. You could print it directly onto card if you’d prefer. An extra task for the children , could be to draw around pre cut provided templates and see if they could get them to fit it onto a sheet of A4 card.

The decorating is worth spending time on as the masks look so much better as a result. I kept my decoration very simple and only used felt tip, but I think the mask would come alive even further with some fake fur or felt or if the teeth were very shiny….

Stick the front and the back thin pieces together. I used masking tape to stick the pieces together, that way I can adjust easily to the circumference of head that is resting on. I then
took the nose piece and folded along each of the dotted lines.

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I attached part one, by folding over the top of the front piece of headband in the middle of the ears and secured with tape.

I then attached the mouth piece behind section 2 of the nose and then the tongue behind the mouth.

Nice and straight forward. Now you can howl at the moon and be big, bad and scary!

Be sure to Tweet or Instagram the results!

 

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Other yoghurts are available, but this one is SUBLIME!